Wingtip Press

We Ink it Up & Pull it Off…

Our background prints had two orbits of the sun to dry, so first thing this Monday morning, Terry, Marilyn, Shirley — my mom, and I were back at Wingtip Press to ink up our second blocks and pull our final prints.

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Terry would have to do the math to tell you the number of variables we had with 4 artists, 10 blocks (I had 4 not 2), 5 colors, and any number of fractions of inches of difference between river connections twixt the blocks.

But, even I can tell you this…registration is very tricky!

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Each of our prints is slightly different, but each is also beautiful in its own way.

Here you can see the variation between two of them:

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and…

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I even think the blocks themselves are beautiful after we’ve pulled the prints:

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Now all that remains to be done is to select the print we will show in the TVAA exhibition of collaborative works which will be hung in the offices of Boise State Public Radio.

That exhibition will be called “Four Eyes: An Optical Collusion” and opens June 6, 2014, so go ahead and mark your calendar.

In ink.

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Laying the Groundwork

Dang. I was really hoping to have a nice tidy post with a whole “start to finish” story laid out for you about the wood cut collaborative print I’m working on. But things are never tidy that way are they?

And there’s the rub.

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Well, actually there’s the rubbing of our four blocks after we carved them, and before we printed them. My feathers are at the top.

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Today we met at Wingtip Press and set up to begin printing the background layer of our prints.

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Luckily Terry Burkes is one of the artists collaborating on this project and she is good with numbers and geometry and quadratic equations and how long it takes to orbit the Earth, and other important things you need to know when you are printing more than one color with more than one block and making more than one print. If you know what I mean. (And good on you if you do, because I have no idea what I’m talking about.)

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We made 9 prints with our background colors of Crimson and Yellow Ochre. You can see the blocks above which are inked and ready for the paper to be placed, pressed, and the print pulled.

Next week we’ll be back in the studio doing the second layer, with the detailed images in the rubbing above, using darker cool colors. They are going to be beautiful — and in this case, I know exactly what I’m talking about.