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Tarpestries

Tapas-tries

By Tarpage

One of the best parts in the evolution of my tarpestries has been the freedom to create really BIG pieces. The largest tarp I can find on-line is 120ft. X 120ft. — the mind boggles!

So, when a call for really, really small pieces — 6in. X 6in. — came up I didn’t even consider it.

One of the things I’m discovering about myself, in my evolution as a human being, is that I often start out with an adamant “NO” when faced with a new opportunity. It seems like the more impossible something feels at the outset, and the more sure I am that it is not for me, the more likely it is that I will end up doing it — and being happy that I did.

Yeah. You guessed it…

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“Acetunas – A Tapas-try”

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“Pinxto – A Tapas-try”

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“Gambas – A Tapas-try”

I have to give credit to my brilliant husband for the “Tapas-try” theme and title. I love a good pun almost as much as I love him!

You can see my three tiny tarpestries in the “6 X Six” exhibiton at the Art Source gallery in downtown Boise. The Opening Reception is 6:00 – 9:00pm on March 3rd and the show runs through April 9th.

Aprovecha!

TARPESTRY, The Book

By Exhibitions, Tarpage, Treefort Tarps

In addition to making the tarpestries, and hanging them in their eponymous exhibition, I have put together a photo book which tells the story of their evolution.

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My friend Peggy Jo, one of my Existential Cheerleaders, got me started doing “documentation” of my process.

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As an artist in the middle of creating new work it’s almost impossible to be your own witness. To intellectually understand the “whys” of what you are producing.

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So I went back to the beginning — the creation of the Treefort Tarps Picadas.

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I wrote about the “hows.” How I answered the question of what to create for the installation, and how I actually got them made.

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I wrote about the “wheres” and “how’s” of the installation itself, (which I could never have done without the help of Sue Latta, and Mike).

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And then about the crazy windstorm which whipped it all apart.

The evolution of the Tarpestries really began when the Tarps Picadas came down, and with 20/20 hindsight I was able to write about how that unfolded.

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I write about what makes something an art form, and touch on the idea that tarpestries are in fact a new art form.

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There are lots of photos of the tarpestries in the current exhibition.

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And I wind things up with some questions. Things I think about, and things I wonder what other people, like you, think about — all relating to making art, and also specifically to the making of the tarpestries.

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I framed screen shots of the book’s pages and have hung them in the current exhibition.

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The book itself will also be available for purchase for $25. If you’re interested in buying a copy, just contact me through my website MelissaSasiChambers.com and I’ll hook you up.

Meanwhile, the best way to see the Tarpestries is up close and personal, and so I really hope to see you at the reception tomorrow — 4:30 to 6:30. Y’all come!

Tarpestries: The Exhibition is Up!

By Exhibitions, Tarpage

Huh? Wha’ happened? Have I been asleep? Under some sort of evil non-blogging spell? Nah.

Just doing a little heavy lifting.

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And, thanks to my constant supporters, especially Mike, and the Existential Cheerleaders (you know who you are!), the mountain top is coming into view…

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(Thank you Lauryn Medeiros for such a good job on the graphics!)

Yup. I am having a solo exhibition at the BSU Student Union Gallery. It’s up now, and will be through January 15th. You can drop by anytime the SUB is open — it’s right at the top of the stairs on the 2nd floor.

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We got it hung this week with able help from Cameron Quade the Student Union Gallery manager.

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And even had some early visitors curious about the show…

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Like the BSU Prez himself, Bob Kustra.

It’s hard to truly capture the show with a few quick snapshots, but at least here’s a glimpse…

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There will be a Reception on Tuesday, January 12th from 4:30 to 6:30. I hope you’ll be able to attend!

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Go! No…Stop, Look, Listen. Now Go Go!

By Tarpage

I finished the artwork for my next traffic box — actually it’s a HAWK Pedestrian Crossing Control box — and then got word that Rena Vandewater and I had been assigned each other’s locations.

Ooops.

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Potentially that could have been a real pain — particularly if the boxes had been markedly different in size. Or especially if my actual location had not been a Pedestrian Control Box.

But that wasn’t the case.

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In fact both boxes are basically the same size, and both are HAWK Pedestrian Control boxes.

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They are just on different streets. Rena’s artwork will grace the box I thought I was doing on Cassia and Orchard, and my artwork will be on the corner of Edson and Curtis.

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Those locations make so much more sense when you know that Rena does wonderful patterny, colorful paintings of orchards — get it? She’s assigned Orchard St.

And mine is inspired by patterns I saw at the International Market — which is off of Curtis. I’m actually hoping to display the entire tarpestry at the International Market after the box is wrapped this summer.

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And so, inspite of all being well, I am reminded that it is a very good idea to Stop. Look. And Listen — before you Go Go!